Aye Write! What I Learned From Johnny Bevan – Luke Wright review by Calum Maclean

What I Learned From Johnny Bevan
Written and Performed by Luke Wright
Live at the Mitchell Library 10/3/16
Aye Write 2016
A small audience is a strange thing. On one level I feel a sense of disappointment, even anger, that more people haven’t taken the time to support the artist. But on another there is a real sense of intimacy in the room, a lack of barrier between performer and observer that works best with a fully engaging and immersive piece. What I Learned From Johnny Bevan is exactly that.
I’ve been a fan of Luke Wright’s rapid fire poetry for years, through his regular tour support of John Cooper Clarke, three recorded albums and first printed collection Mondeo Man. I was familiar with his impassioned delivery, political satire and skilful use of form and rhyme, but that didn’t prepare me for the power of this performance.
What I Learned From Johnny Bevan tells the story of Nick, a jaded journalist reporting on the launch of a new urban festival, the brilliantly named URBANIA. Travelling to the future festival site, Nick recognises the deprived location as the former home of his university friend Johnny Bevan, sparking an extended memory of eighteen years earlier, the youthful optimism that brought them together in the year of Tony Blair’s rise to power, and the disillusionment of what was to follow.
One of the most impressive aspects of the show is its characterisation. As Nick, the narrative voice is cynical, guilt ridden, but yearning; while as Johnny the verse transitions from brash idealism to seething frustration and resentment, delivered in a range of rhythms that seamlessly alter within the story. It was only when reading the printed version afterward, (which I highly recommend as a companion to the live show), that the variety of verse styles was apparent, which is further testament to the piece’s construction and to the naturalism of Wright’s performance.
What I Learned From Johnny Bevan is a fantastic work of poetic theatre. Using language both witty and accessible, Wright gets to the heart of issues of class, political betrayal and human connection, filtered through an emotionally raw story of two boys and the men they become. Watching it live was an unforgettable experience, so if a chance to catch it comes your way, you definitely should. It was one of the real highlights of the 2016 Aye Write festival and is something more people should see.
Review by Calum Maclean
www.lukewright.co.uk
www.lukewright.co.uk/books
Luke Wright soundcloud
This section: Aye Write! Glasgow's Book Festival 2016, Books, Talks, Poetry and Creative Writing Events, Calum Maclean – poet and aspiring writer, What's On Glasgow West End: cinema, clubs, theatre, music, events, festivals, community and more
Related Pages
- Glasgow Youth Film Festival 2025
- Take 2: Fantastic Mr Fox at GFT
- Brides at GFT
- The House of Mirth at GFT
- Reality Is Not Enough at GFT
- One Battle After Another
- Andrew O’Hagan In Conversation with Kirstin Innes
- Amplify Guitar Slam – Guitar Taster for Kids
- October 2025 Programme at GFT
- Document Human Rights Film Festival, Glasgow
- Ocean with David Attenborough: Community Screening & Q&A at GFT
- Woodlands Community – Anti Racist Film Club
- Aye Write 2025: Denise Mina and Helen Fields in conversation with Bryan Burnett
- Love Letters To A Murder – The Mythology of Madeleine Smith
- Book Launch: Benbecula by Graeme Macrae Burnet
- Reclaim the Clyde – Poetry and Music to celebrate our river
- The Glasgow Shanty Festival
- Terry Neason Songs and Words
- The Boys by Ella Hickson
- The Gift, Barrowland Ballet at The Citizens Theatre
Leave a Reply
You must be logged in to post a comment.