A Nos Amours Chantal Akerman La-bas (Down-There) CCA Wed 28 May 2014
A Nos Amours
Chantal Akerman
La-bas (Down-There)
CCA
Wed 28 May 2014
7pm, Free, Cinema
Ages 18+
Book online / 0141 352 4900
Related CCA Events
A Nos Amours
Chantal Akerman
News From Home
Wed 4 June 2014
A Nos Amours
Chantal Akerman
Je, Tu, Il, Elle (I, You, He She)
Tue 10 June 2014

Still from La-Bas, 2006.

Still from Saute ma ville, 1968.
Saute ma ville (Blow Up My Town), 1968.
La-bas (Down-there), 2006.
We are delighted to welcome Professor of French Literature and Film at Edinburgh University, Marion Schmid, to introduce this screening.
Saute ma ville (Blow Up My Town)
Dir: Chantal Akerman. Cast: Chantal Akerman.
Belgium 1968, b&w, 13m.
Akerman’s first experimental film documents a young woman going about her daily domestic routine in strange ways, whilst shutting herself in her apartment. Often cited as a precursor to her 1975 masterpiece Jeanne Dielman.
La-bas (Down-there)
Dir: Chantal Akerman. Cast: Chantal Akerman
Belgium/France 2006, 80m.
Despite initial reluctance to film, during a trip to teach in Tel Aviv Akerman found a frame in the apartment she was staying in that she could not resist. The work was to unfold as an exploration and reflection on her own ambivalent relationship with a city and by extension her own Jewish history. Bill Arning states that she, “builds an internal inventory of responses to the spectral lives she indirectly witnesses.” La-bas blurs the boundaries presence and absence, interior and exterior in a style that ‘inverts’ her usual methodical roving camera eye.
—
Chantal Akerman is a filmmaker whose wide-ranging film and video practices explore themes of identity, sexuality, quotidian reality and exile, and works against conventional filmmaking in order to discover new worlds. As J. Hoberman has said: “Comparable in force and originality to Godard or Fassbinder, Chantal Akerman is arguably the most important European director of her generation.”
A series of screened shorts and features programmed by Sacha Airlie in conjunction with the A Nos Amours retrospective of the complete film works of Chantal Akerman at the ICA in London. Please see www.anosamours.co.uk for further information.
This project has been kindly supported by The University of Glasgow’s Creative Practice Fund and is extremely grateful to Lore Gablier and Paradise films.
A Nos Amours is supported by the British Film Institute, Wallonie-Bruxelles International and Film Hub London (managed by Film London)
Centre for Contemporary Arts
350 Sauchiehall Street
Glasgow G2 3JD
This section: Cinema
Filed under: Cinema
Related Pages
- Everbody to Kenmure Street at GFT
- Glasgow Film Festival Takeover Day 2026 review Pat Byrne
- Mermaids at GFT – Mother’s Day
- Couture Glasgow Film Festival 2026 review by Pat Byrne
- Effi O Blaenau review Pat Byrne – Glasgow Film Festival 2026
- Super Nature Glasgow Film Festival 2026
- Glasgow Film Theatre Announces Programme for March 2026
- Earth’s Greatest Enemy at GFT
- Jaripeo at Glasgow Film Festival 2026
- Sailm nan Daoine (Psalms of the People)- Glasgow Film Festival 2026
- It’s A Fine Thing To Sing – Songs and Singers of Inishowen Peninsula Documentary
- Midwinter Break – Glasgow Film Festival 2026 Review
- Everybody to Kenmure Street – GFF2026 Review
- Big vs Small, Film Night, Arlington Baths Club
- Free and Low-Cost Activities at Glasgow Film Festival 2026
- Broken English – Glasgow Film Festival 2026
- Lynne Ramsay to receive Cinema City Honorary Award at Glasgow Film Festival 2026
- Take 2: Pets on Trains at GFT
- Glasgow Film Festival 2026 – filmaking talent galore attending
- Lola – Screening Arlington Baths Club
Leave a Reply
You must be logged in to post a comment.