During the 1990s my work took
an important turn. In the late 80s I produced a number of bas relief
works which were limited in size because of the techniques
I was using and they were fragile enough to give a transport problem.
This was overcome in 1990 by realising that acrylic paint would
allow me to work in the round and then stretch the work to produce a
flat piece. This coincided with a move in my ideas which became based
more on the biological sciences. Links to Ken Palmer on Other Sites |
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