buygetonefreea2acryliconpaper_small.jpg coneoflightiia1acryliconpaper_small.jpg curlinglighta2acryliconpaper_small.jpg distortinggreena3acryliconpaper_small.jpg emissionfromtheredcrystala1acryliconpaper_small.jpg fossilcicuitpeomiiia1acryliconpapers_small.jpg
fracturedsky170x240cmacryliconcanvas_small.jpg fromtheinsidelookingoutwcolouronpaper_small.jpg glasscastleiii75x100cmacrylicoiloncanvas_small.jpg glasscastlepoema3acryliconpaper_small.jpg goldcircuitiia1acryliconpaper_small.jpg ireckona2acryliconpaper_small.jpg
icedcircuita2acryliconpaper_small.jpg intothebluewithascii75x75cmacryliconboards_small.jpg lastwitnessa2acryliconpaper_small.jpg lightwing76x90cmacrylicoiloncanvas_small.jpg neuroticrobotrevisiteda1acryliconpaper_small.jpg newdawna2acryliconpaper_small.jpg
Select the page on the right         Page:[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19]

During the 1990s my work took an important turn. In the late 80s I produced a number of bas relief works which were limited in size because of the techniques I was using and they were fragile enough to give a transport problem. This was overcome in 1990 by realising that acrylic paint would allow me to work in the round and then stretch the work to produce a flat piece. This coincided with a move in my ideas which became based more on the biological sciences.

Links to Ken Palmer on Other Sites 

  Scotland's Artists     Ionist Arts Group     Prismatic    Saatchi - Gallery


Photo album created with Web Album Generator