The Da Vinci Code was a ripping yarn; I am not ashamed to say I enjoyed it.
Neithur am ah, it is "pulp fikshun" efter all wiyth the emfasis on fikshun
Posted 24 February 2009 - 06:04 PM
The Da Vinci Code was a ripping yarn; I am not ashamed to say I enjoyed it.
Posted 24 February 2009 - 07:38 PM
So, what is a "natural response" Pat and why should an "intellectual pondering" impair it?
What's an "intellectual pondering" for a kick off!
Posted 24 February 2009 - 07:57 PM
I'm thinking of natural in this instance as spontaneous and unaffected, KG.
Intellectual pondering - let's see, Could be searching for codes and mysteries whilst dwelling on theories and speculation.
Such activity may impair enjoyment - it may not? I made no assertions.
Posted 24 February 2009 - 08:09 PM
Yeh, like I suggested above more than one way of looking at it.I think you can enjoy art on whatever terms you like really.
A piece has lots of stories to tell. It might be simply subject matter or might be how it runs parallel with what was happening in the artist's life.
Even how they were made. Most people looking at Michelangelo's David are thinking: "How the feck did he do that!"The experience doesn't have to be all pure "interpretation" in my view.
Interestingly people feel more at home with interpreting a film rather than a painting.
Posted 25 February 2009 - 10:42 AM
I'd be willing to bet that the book you refer to is every bit as badly written, and that its same clunky research will include large amounts of reference to the work I referred to.A badly written, clunkily researched book is just that. But it is sad that you see fit to pass disparaging remarks on something you admit you know nothing about.
Posted 25 February 2009 - 11:16 AM
Posted 25 February 2009 - 11:20 AM
I like mystery pictures.
That one they had on Vera Duckworths wall - for years I thought it was a big Tomato but it's really a lady in a big red dress. !
Clever stuff indeed. !
Posted 25 February 2009 - 11:23 AM
I like mystery pictures.
That one they had on Vera Duckworths wall - for years I thought it was a big Tomato but it's really a lady in a big red dress. !
Clever stuff indeed. !
Posted 25 February 2009 - 11:27 AM
Posted 25 February 2009 - 12:07 PM
Hopefully the EU will arrange for all paintings to be standardised and have a bar code - that will put an end to much of this confusing speculation.
Carry on.
Posted 25 February 2009 - 12:22 PM
I'd be willing to bet that the book you refer to is every bit as badly written, and that its same clunky research will include large amounts of reference to the work I referred to.
How much are you willing to bet?I don't 'know nothing' about it. Your original post was asking about a book written about a supposed hidden meaning in a painting. I know the painting and I know the theory.
I was talking about the book, you make assumptions why I wouldn't like the book, completely erroneous assumptions, but you make them just the same.And as I say, it doesn't surpirise me that you are inimical to the ideas at the heart of it.
Posted 25 February 2009 - 01:00 PM
It was you who said you wouldn't recommend it to anyone.where do I say that? You are now commenting on your own assumptions.
Posted 25 February 2009 - 01:19 PM
Posted 25 February 2009 - 01:49 PM
Apparently if you look at all the characters in Avril Paton's Windows In The West and read their lips they tell you where in the West End the Ark of The Covenent is buried.
Well ... it's just as likely as all that Da Vinci and Poussin stuff.
Posted 25 February 2009 - 02:02 PM
Now you tell me!It's in the Grosvenor Cafe, always was. On a shelf next to the holy grail, & guarded by the skelly eyed maiden auntie in black who manned the till and never spoke
Posted 25 February 2009 - 02:08 PM
Will that be lishenshed premises wur we kin find oot things aboot things and uthur things?
Posted 25 February 2009 - 04:09 PM
May not be clever, LG, but possibly effective?
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My favourite Kelvingrove painting is 'The Druids Bringing in the Mistletoe'. I'm thinking of learning a little bit more about that and looking at this work with new eyes. It has always fascinated by that it was painted by two artists, Henry and Hornel.
At the moment my love for it arises from things like, the drama of the painting, the colours (claret, gold, kingfisher) and the faces that are full of expression. Could be there's much more to consider?
Posted 25 February 2009 - 04:37 PM
It was you who said you wouldn't recommend it to anyone.
Posted 25 February 2009 - 04:47 PM
Because its badly written and clunkily researched; you appear to be implying something else.
Not that one - but I know the story and have read the book by Baigent et al; and let's just say it doesn't surprise me at all that you in particular 'wouldn't recommend it'
Posted 25 February 2009 - 05:47 PM
I believe we wush sheparateed at burf. your my besh brovver you are
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